Warning: the video in my link to this episode is cut off at the beginning (slightly) and at the end (significantly). You miss all the judging, but none of the sewing. (Start at 2:08 to miss the review/preview and show intro.)
The three challenges from episode 3 were:
* to make a little girl's dress from a pattern
* to dramatically alter the shape of a rather shapeless dress and
* to make a jacket
Here are some of the topics covered:
* shirring elastic - never heard of this before; my mom used do some kind of smocking which would magically make the dress stretchy in a similar way
* roolow loops - never heard of this before, either (you can tell by how I'm misspelling it); it looks like a type of spaghetti strap; I never knew they had to be cut on the bias
* French seams - I did know this one: sew it together right sides facing together (at this point it looks like a mistake), then turn it so that wrong sides are together and sew it again--now the raw edges are on the inside. I thought that just made the inside prettier, but it makes sense that it also makes the seam more durable (two rows of stitching make it stronger, and the raw edge can't get caught on anything to make it unravel more quickly)
* Boucle tweed - the kind Anne has is quite colorful
* jacket types - an edge-to-edge style, alpine style, and hacking jacket
* collar types - no collar, wrap-around, stand-up
* boiled wool - doesn't fray!
* basting the whole garment together (i.e., sewing with very big stitches, which is fast and easy to take out), then perfecting the fit, then doing the real sewing
* a floating chest piece - some sort of padding
The how-to lesson was on making curtains. These lessons seem basically good but so short and so fast! I can't say I understand where or how to attach the curtain hooks.
The history lesson was on sewing bees for the war effort during World War II. The (British) government actually made patterns for these work groups to use. When fabric got scarce, you were to "make do and mend." (I hadn't heard that phrase before, though I have heard the similar "use it up, wear it out, make it do, or do without.") Anne made a skirt out of her dad's trousers when she was young, but now she says "I hate having to make do and mend, I think because I had to do it for so long." So sad!
I love that they showed two ways to load the shirring elastic onto the bobbin, and you aren't sure at first whether Sandra is too cocky or genius. Genius!
I also love that they showed different strategies for sewing those shirring lines straight.
And they actually showed Lauren pulling her tiny, tiny roolow loop inside out and I still don't get it!
I was very happy to see the alteration part of this because this was something I could imagine actually wanting to do myself. They did make it sound like changing the shape of the dress was important, so of course there would be more darts or whatever. But then what would they do? Add sleeves? Add a collar? I kind of want to put in gores to make it more wooshy! But that's probably way too time-consuming. They only had 90 minutes and, as Sandra said, "You need a lot more time for more bravery." And I didn't think any of the chosen embellishments actually helped, except maybe the zippers which I found quite dramatic. I can't believe fashion people were calling that too wacky.
I am also surprised--it looks like everyone was keeping their dresses right-side out to pin the darts (though it's hard to tell with that fabric). I'd think it would be easier inside out.
I like Lauren's jacket best; it's the most traditional. But it's also got this crazy trim between the lining and the regular fabric (you can see it at 50:25). "You've neatened absolutely everything." (She fit in a flowery print after all.)
I'm now afraid of all fabrics, except Stuart's boiled wool and perhaps Michelle's polyester. Things do somehow get made out of these fabrics that stretch, slip, and/or fray all the time, but I have no idea how to work with them.
I also still don't have any clues about how to get things to hang straight on asymmetrical bodies, or even how to line things up well between two pieces when they're both big. As Stuart says, "When in doubt, call it punk."
At the end of episode 2, I was pretty sure which two would make it into the final. (Since I skipped the first part of the third episode, I went the whole way not realizing the great news that only one more person would be kicked out.) By the end of the episode, I only still felt sure about one person. Fun!
The three challenges from episode 3 were:
* to make a little girl's dress from a pattern
* to dramatically alter the shape of a rather shapeless dress and
* to make a jacket
Here are some of the topics covered:
* shirring elastic - never heard of this before; my mom used do some kind of smocking which would magically make the dress stretchy in a similar way
* roolow loops - never heard of this before, either (you can tell by how I'm misspelling it); it looks like a type of spaghetti strap; I never knew they had to be cut on the bias
* French seams - I did know this one: sew it together right sides facing together (at this point it looks like a mistake), then turn it so that wrong sides are together and sew it again--now the raw edges are on the inside. I thought that just made the inside prettier, but it makes sense that it also makes the seam more durable (two rows of stitching make it stronger, and the raw edge can't get caught on anything to make it unravel more quickly)
* Boucle tweed - the kind Anne has is quite colorful
* jacket types - an edge-to-edge style, alpine style, and hacking jacket
* collar types - no collar, wrap-around, stand-up
* boiled wool - doesn't fray!
* basting the whole garment together (i.e., sewing with very big stitches, which is fast and easy to take out), then perfecting the fit, then doing the real sewing
* a floating chest piece - some sort of padding
The how-to lesson was on making curtains. These lessons seem basically good but so short and so fast! I can't say I understand where or how to attach the curtain hooks.
The history lesson was on sewing bees for the war effort during World War II. The (British) government actually made patterns for these work groups to use. When fabric got scarce, you were to "make do and mend." (I hadn't heard that phrase before, though I have heard the similar "use it up, wear it out, make it do, or do without.") Anne made a skirt out of her dad's trousers when she was young, but now she says "I hate having to make do and mend, I think because I had to do it for so long." So sad!
I love that they showed two ways to load the shirring elastic onto the bobbin, and you aren't sure at first whether Sandra is too cocky or genius. Genius!
I also love that they showed different strategies for sewing those shirring lines straight.
And they actually showed Lauren pulling her tiny, tiny roolow loop inside out and I still don't get it!
I was very happy to see the alteration part of this because this was something I could imagine actually wanting to do myself. They did make it sound like changing the shape of the dress was important, so of course there would be more darts or whatever. But then what would they do? Add sleeves? Add a collar? I kind of want to put in gores to make it more wooshy! But that's probably way too time-consuming. They only had 90 minutes and, as Sandra said, "You need a lot more time for more bravery." And I didn't think any of the chosen embellishments actually helped, except maybe the zippers which I found quite dramatic. I can't believe fashion people were calling that too wacky.
I am also surprised--it looks like everyone was keeping their dresses right-side out to pin the darts (though it's hard to tell with that fabric). I'd think it would be easier inside out.
I like Lauren's jacket best; it's the most traditional. But it's also got this crazy trim between the lining and the regular fabric (you can see it at 50:25). "You've neatened absolutely everything." (She fit in a flowery print after all.)
I'm now afraid of all fabrics, except Stuart's boiled wool and perhaps Michelle's polyester. Things do somehow get made out of these fabrics that stretch, slip, and/or fray all the time, but I have no idea how to work with them.
I also still don't have any clues about how to get things to hang straight on asymmetrical bodies, or even how to line things up well between two pieces when they're both big. As Stuart says, "When in doubt, call it punk."
At the end of episode 2, I was pretty sure which two would make it into the final. (Since I skipped the first part of the third episode, I went the whole way not realizing the great news that only one more person would be kicked out.) By the end of the episode, I only still felt sure about one person. Fun!